Performers
For performers
If you are thinking of performing in a Fullfield title, or already have, this is what you can expect from us.
What we ask of you
A Fullfield performance is recorded from where you stand. You wear the FH-3 headpiece and the Field Suit, and you do the thing the title is about: drive the truck, hold the ladle, play the second violin. Most performers are not actors. Many are people who are very good at their work and are willing to let others stand in it for a while.
What you can expect from us
- Before you audition, a plain statement of which tracks will be recorded, where the title will be shown, and whether it will have an adaptive edition.
- A recorded consent session, with a representative of your choosing at our expense. The Breath and Heart tracks are agreed separately, and you may refuse them without losing the booking.
- The closed-fist signal on set. Raise it and the recording stops.
- The final cut, in a review carrel, before anyone else outside the production sees it. You may ask for changes or withdraw.
- After release, the right to have the title withdrawn from public access at any time. We do it within 30 days and pay any residuals already earned.
- A copy of your consent session and of every release you have signed, whenever you ask.
Pay
| Session | Minimum |
|---|---|
| Capture day | $1,710 |
| Capture day with Breath and Heart tracks | $2,240 |
| Consent session, fitting or review (half day) | $480 |
| Residual per play, current and archive titles | $0.0119 |
Residuals are paid quarterly by statement. Rates above are minimums; most performers are paid more.
If something goes wrong
Call Dolores Agbaje, head of performer relations, whose number every performer is given, or write to performers@sensenetstudios.com. Disputes about consent that we cannot settle go to binding arbitration in Los Angeles under rules agreed with performers’ representatives; there were two last year.